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Shakeel Badayuni (3 August 1916 – 20 April 1970) was an Indian Urdu poet, lyricist and songwriter in Bollywood.
When he joined Aligarh Muslim University in 1936, he started participating in inter-college, inter-university , or poetry recitation symposiums, and won frequently. In 1940, he married Salma, who was his distant relative and had been living in a common house with him since childhood. However, the purdah system was strictly observed in their family and they were not close. After completing his BA, he moved to Delhi as a supply officer, but continued participating in mushairas, earning fame nationwide. Those were the days of who wrote about the downtrodden sections of society, their emancipation, and the betterment of society. But Shakeel had an altogether different taste – his poetry was romantic and close to the heart. Shakeel used to say:
During his Aligarh days, Badauni also started learning Urdu poetry formally from Hakim Abdul Waheed 'Ashk' Bijnori.
Together, he and Naushad became one of the most sought after composer/lyricist duos in the industry. Among the scores they churned out together, are those of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), that stand out. Other films they scored together include Dulari (1949), Shabab (1954), Ganga Jamuna (1961), and Mere Mehboob (1963). Although Shakeel Badayuni worked most extensively with Naushad, he also collaborated with Ravi and Hemant Kumar. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.
Shakeel penned numbers for around 89 films. In addition, he wrote many popular ghazals sung by Begum Akhtar, which are still sung by vocalists like Pankaj Udhas and others.
The Indian government had honoured him with the title Geet Kar-e-Azam.
Shakeel shared a close friendship with Naushad, Ravi, and Naushad's former assistant, Ghulam Mohammed, with whom he enjoyed his life to the fullest. Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 24 years. Baiju Bawra, which was a milestone in both of their careers, was supposed to go to Kavi Pradeep. Vijay Bhatt, the director of the movie was insistent on using Kavi Pradeep as the lyricist, since the film was supposed to have many devotional songs. Naushad requested Vijay Bhatt to hear the lyrics written by Shakeel. Vijay Bhatt agreed.
When Shakeel Badayuni was diagnosed with tuberculosis, he was put up in a sanatorium in Panchgani for treatment. Naushad knowing that his financial condition was not good, took 3 films to him, getting the lyrics written in the sanatorium, and got him a payment of nearly 10 times more than his normal fees.
Shakeel also wrote a substantial chunk of songs for music director Ravi Sharma. Prominent amongst them were Chaudhvin Ka Chand (1960), Gharana (1961), Ghunghat, Grahasti (1963), Nartaki (1963), as well as Phool Aur Patthar and Do Badan (both released in 1966).
Shakeel wrote for Hemant Kumar for movies like Bees Saal Baad (1962), Sahib Bibi Aur Ghulam (1962), Bin Badal Barsaat.
Shakeel penned lyrics for the tunes of S.D. Burman for movies Kaise Kahoon & Benazir.
C.Ramachandra – Zindagi Aur Maut, Wahan Ke Log. Roshan – Bedaag, Noorjahan.
Shakeel loved to play badminton, go on picnics and hunting trips and fly kites with his friends from the industry, Naushad and Mohammed Rafi. Sometimes Johnny Walker would join them in kite-flying competitions. Dilip Kumar, writers Wajahat Mirza, Khumar Barabankvi and Azm Bazidpuri were among Shakeel's other close friends within the industry.
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